http://popups.lib.uliege.be/1373-5411/index.php?id=2618 Index terms fr 0 http://popups.lib.uliege.be/1373-5411/index.php?id=3828 While current studies of perversion focus on spectacular symptoms and neglect subjectivity, Freud and Lacan study perversion as a possible organization of subjectivity. Male fetishism illustrates the function of symbolic castration in subject-formation: when it is integrated, the subject structure will be normal; when it is kept at a distance by continuous anticipation, the result is the constitution of a fetish. The fetish inherits the value of the phallus, and functions like a metonymic object, like a veil that protects the subject from anxiety. Fetishists, who lack the paternal metaphor, are characterized by a splitting of the ego. Consequently, treatment should focus on structural understanding of the fetishistic subject, not at superficial behavior change. Mon, 30 Sep 2024 14:15:02 +0200 Mon, 30 Sep 2024 14:15:11 +0200 http://popups.lib.uliege.be/1373-5411/index.php?id=3828 http://popups.lib.uliege.be/1373-5411/index.php?id=3341 Looking to the dancer requires looking through the dancer. If a philosophical space intends to figure out and expand the real form and time of the corpus of the dancer, some movements of thought have to unfold themselves in an indefinite reflection, passing through the refraction of an obstinate looking glass. Indeed, the dancer's experience of the real of her body and of the spatiotemporal dimensions she inscribes with her configured movements, is always marked by the looking glass, mirrored, epitomized and reflected. In result, her real body remains untouchable or in-tact, however, split and crumbled into different bodies, levels and parts. This split prompts us with questions on the spacious unity of the real of the dancer's body. The time in where this body is a-life and moving, deciding on when, where and how to direct itself into a beautiful shape and blissful form, constantly ready to give and receive at the same moment, seeing what is coming without seeing, uncovers itself as anticipatory, autonomous and unconscious. Through the concepts Ausdehnung and plasticity, to be unfurled from a cordiality in Kant's and Freud's interpretation of sensibility and the unconscious, I will inform the form of the dancer so difficult to grasp, arguing strongly for the dancer as an anticipatory power : a moving corpus that is time and eternity as well as space and infinity in one. Fri, 13 Sep 2024 16:23:43 +0200 Fri, 13 Sep 2024 16:23:49 +0200 http://popups.lib.uliege.be/1373-5411/index.php?id=3341 http://popups.lib.uliege.be/1373-5411/index.php?id=2615 This paper addresses the role of anticipative and retroactive processes in the constitution of the human subject, taking as a guide the psychoanalytical concept of Nachträglichkeit. Firstly, this concept is situated within the Freudian account of psychic temporality. Secondly, it is shown how Lacan applies the concept to the becoming of the subject through language. To illustrate this process, a simplified version of Lacan's "Graph of Desire" is used. Thirdly, a metaphysical counterpart to the principle of Nachträglichkeit is described, the dialectical principle of "tarrying with the negative", as formulated by G. W. F. Hegel. Thu, 29 Aug 2024 15:12:12 +0200 Thu, 29 Aug 2024 15:12:20 +0200 http://popups.lib.uliege.be/1373-5411/index.php?id=2615